{"id":4,"date":"2024-08-22T15:06:21","date_gmt":"2024-08-22T20:06:21","guid":{"rendered":"https:\/\/wp.stolaf.edu\/musical-theater\/?page_id=4"},"modified":"2025-08-08T09:40:23","modified_gmt":"2025-08-08T14:40:23","slug":"home-page","status":"publish","type":"page","link":"https:\/\/wp.stolaf.edu\/musical-theater\/","title":{"rendered":"Musical Theater"},"content":{"rendered":"
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Musical Theater Concentration<\/h1>\n\t<\/div>\n<\/section>\n\n\n\t\t\t\t\n\t\n\t\t\t<\/div>\n\t\n\n\n\t\t\t\n\t\n\t
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\n\t\t\t\t\n\t\t\t\t\tMusic Home<\/span>\n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/a>\n\t\t\t<\/div> \n\t\t\t\t\t
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\n\t\t\t\t\n\t\t\t\t\tCollege Catalog<\/span>\n\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t<\/span>\n\t\t\t\t<\/a>\n\t\t\t<\/div> \n\t\t\n\t<\/div> \n\n\n\t\t\t\t\n\t\t<\/div>\n\n\t\t\t<\/div>\n\t\n\n\n\n

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The Musical Theater concentration <\/strong>is open to all majors in the Bachelor of Arts program. Musical theater is an interdisciplinary art form that is culturally relevant by offering opportunities for discourse and dialogue on social issues, societal change and culture through its performance. This genre of theater has deep roots in American culture and is wildly popular offering ample, consistent, and financially supported professional opportunities for those who wish to have careers as artists. The rise in popularity of musical theater has also extended over to film and television.<\/p>\n\n\n\n

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Musical Theater Lab 2024-2025<\/strong><\/figcaption><\/figure>\n\n\n\t\t\t\n\t\n\t\t\t
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Classes Applicable to Musical Theater<\/h2>\n\n\t\t\t<\/header>\n\t\t\n\t\n\t\n\t
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There are several courses applicable to Musical Theater concentrators, including those listed (right).\u00a0 Students may also take three semesters of private voice lessons<\/a>; contact Lisa McDermott<\/a> in the Music Office for more details.\u00a0 A complete course list<\/strong> for Musical Theater can be found on the Registrar’s website<\/a>.\u00a0 Students are welcome to talk with Dr. Marita Stryker<\/a> in addition to their advisor regarding course selection.<\/p>\n

Musical Theater students are also encouraged to audition for the Musical Theater Lab<\/strong><\/a>, the newest Music Department ensemble.\u00a0 Contact Dr. Stryker about auditions.<\/p>\n\n\t\t<\/figcaption>\n\t\n<\/figure>\n\n\t\t<\/div>\n\t\t

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\n \t\t\n\t\t\t\t\t \n\t\t\t\t\t\tMUSIC 148: Contemporary Styles Voice Class\t\t\t\t\t<\/span>\n <\/button>\n \n\t\t\t\t\t
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Contemporary Styles Voice Class is open to all students regardless of music background and will focus on singing techniques utilized in contemporary music. Students will develop healthy techniques for breathing and vocalizing in the three core singing techniques used in all contemporary genres: belt, mix, and legit. Students will choose their own repertoire from any style, including but not limited to: pop, jazz, rock, blues, country, R&B, gospel, contemporary music theater, hip hop, etc. Offered annually in the spring. Counts toward musical theater concentration.<\/p>\n <\/div>\n <\/div>\n <\/article>\n\n\t\t\t\n

\n \t\t\n\t\t\t\t\t \n\t\t\t\t\t\tMUSIC 267: Advanced Acting for the Lyric Stage\t\t\t\t\t<\/span>\n <\/button>\n \n\t\t\t\t\t
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This studio course focuses on advanced techniques of acting and singing for the musical stage with emphasis on opera. Students explore voice, movement, improvisation, and characterization at an advanced level. Participants receive coaching in musical and dramatic style through solo and small ensemble literature and prepare scenes for class performance. The course culminates with public performances of a fully staged and costumed lyric theater work. May be repeated once. A production fee will be charged to all students participating in the production. Offered annually in the fall semester. Counts toward musical theater concentration.
\nPrerequisites:<\/strong>\u00a0two semesters of voice study or permission of instructor.<\/p>\n <\/div>\n <\/div>\n <\/article>\n\n\t\t\t\n

\n \t\t\n\t\t\t\t\t \n\t\t\t\t\t\tMUSIC 268: Opera Creation Residency in the Schools: Civic Engagement\t\t\t\t\t<\/span>\n <\/button>\n \n\t\t\t\t\t
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This course is designed for students interested in civic engagement in the arts and arts fusion projects. Participants mentor students from a local elementary school in an Opera Creation Residency as the elementary students compose and perform their own original works. The course culminates in staged public performances. Enrollment is subject to a fall interview\/audition. Open to all students. May be repeated once. A class fee may be required. Offered during January Term in alternate years. Counts toward musical theater concentration.
\nPrerequisites:<\/strong>\u00a0two semesters of voice study or permission of instructor.<\/p>\n <\/div>\n <\/div>\n <\/article>\n\n\t\t\t\n

\n \t\t\n\t\t\t\t\t \n\t\t\t\t\t\tMUSIC 269: Opera Workshop\t\t\t\t\t<\/span>\n <\/button>\n \n\t\t\t\t\t
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Participants prepare for performance of a one-act opera or opera scenes. Students receive coaching and performance experience through individual and group singing\/acting exercises. The course culminates with staged and costumed public performances. Open to all students. May be repeated once. A class fee may be required. Offered periodically during January Term. Counts toward musical theater concentration.
\nPrerequisites:<\/strong>\u00a0two semesters of voice study or permission of instructor.<\/p>\n <\/div>\n <\/div>\n <\/article>\n\n\t\t\t\n

\n \t\t\n\t\t\t\t\t \n\t\t\t\t\t\tMUSIC 273: Professional Practices for the Individual Musician\t\t\t\t\t<\/span>\n <\/button>\n \n\t\t\t\t\t
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How does a musician find work with little or no prior professional experience? What skills do musicians need to refine before and after graduation? This course invites students to engage in self-reflection, topical discussions, capacity-building, and best professional practices for individual musicians in the performance industry. Topics include the basics of the music business (roles in the industry, copyright law and contracts), artist identity development, and practical skills for a musical career. Offered alternate years in the fall.<\/p>\n <\/div>\n <\/div>\n <\/article>\n\n\t\t\t\n

\n \t\t\n\t\t\t\t\t \n\t\t\t\t\t\tMUSIC 316: Music Performance Anxiety\t\t\t\t\t<\/span>\n <\/button>\n \n\t\t\t\t\t
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Drawing from the fields of biology, neuroscience, psychology, and sociology, this course offers a deep dive into the psychology of music performance anxiety. Students develop an understanding of (1) the sympathetic and parasympathetic nervous systems, (2) causes, triggers, and symptoms of music performance anxiety, and (3) the current state of music performance anxiety research including prevention, intervention, and treatment protocols. Students complete a literature survey examining both quantitative and qualitative research on a topic related to music performance anxiety.
\nPrerequisite:<\/strong>\u00a0MUSIC\u00a0141<\/a>\u00a0or permission of instructor.<\/p>\n <\/div>\n <\/div>\n <\/article>\n\n\t\t\t\n

\n \t\t\n\t\t\t\t\t \n\t\t\t\t\t\tTHEAT 130: Introduction to Acting\t\t\t\t\t<\/span>\n <\/button>\n \n\t\t\t\t\t
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This studio course is centered on training the actor’s instrument and developing basic acting skills including characterization, vocal production, physical and emotional connection, motivation and ensemble work. Students learn history of actor training from Stanislavski to present. Exercises, improvisation, monologue and scene work are all explored. This course requires trips to professional theaters in the Twin Cities. A ticket fee is required. Offered each semester. Also counts toward film and media studies major and film and media studies and musical theater concentrations.<\/p>\n <\/div>\n <\/div>\n <\/article>\n\n\t\t\t\n

\n \t\t\n\t\t\t\t\t \n\t\t\t\t\t\tTHEAT 131: Musical Theater\t\t\t\t\t<\/span>\n <\/button>\n \n\t\t\t\t\t
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This studio course focuses on the techniques of acting and singing for the musical theater. Students learn the basics of voice, movement, improvisation, and characterization in class exercises, prepared scenes, solos and duets. Course culminates in a public showcase of students’ work. Offered periodically. Also counts toward musical theater concentration.<\/p>\n <\/div>\n <\/div>\n <\/article>\n\n\t\t\t\n

\n \t\t\n\t\t\t\t\t \n\t\t\t\t\t\tTHEAT 140: Introduction to Design for Performance\t\t\t\t\t<\/span>\n <\/button>\n \n\t\t\t\t\t
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The attributes of the things we see and hear in the performances that we attend contribute strongly to our experience as an audience. This course considers the elements and principles of design and their application to performance work. Students study the performance space, scenery elements, costuming, lighting and shadow, and the aural experience that the audience encounters during a performance. Problem-solving, collaboration, and design development are included in project work. Also counts toward musical theater concentration.<\/p>\n <\/div>\n <\/div>\n <\/article>\n\n\t\t\t\n

\n \t\t\n\t\t\t\t\t \n\t\t\t\t\t\tTHEAT 180: Text and Performance\t\t\t\t\t<\/span>\n <\/button>\n \n\t\t\t\t\t
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Play texts are the raw material for our classes in acting, directing, design, and historical studies. This introductory course for theater majors introduces students to canonical texts and performances that have helped to define our field. Primary emphasis is on the text as a blueprint for production focusing on analysis, variety of interpretation, the changing nature of theater space, and our growing awareness of the changing nature of performance. Students are expected to communicate clarity of understanding both orally and in writing. Non-majors are invited to take this course, though its primary focus is a comprehensive preparation for further theater studies. Offered each semester. Also counts toward musical theater concentration.<\/p>\n <\/div>\n <\/div>\n <\/article>\n\n\t\t\t\n

\n \t\t\n\t\t\t\t\t \n\t\t\t\t\t\tTHEAT 230: Intermediate Acting\t\t\t\t\t<\/span>\n <\/button>\n \n\t\t\t\t\t
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A studio course for the student with previous acting experience. Through scene and monologue work students explore text and character analysis as well as the requirements of major theatrical period styles. Students perform regularly throughout the semester. The course requires trips to professional theaters in the Twin Cities. A ticket fee is required. Offered annually in the spring semester. Also counts toward musical theater concentration.
\nPrerequisites:<\/strong>\u00a0THEAT\u00a0110<\/a>\u00a0or\u00a0THEAT\u00a0180<\/a>, and\u00a0THEAT\u00a0130<\/a>\u00a0or\u00a0THEAT\u00a0131<\/a>\u00a0or permission of the instructor.<\/p>\n <\/div>\n <\/div>\n <\/article>\n\n\t\t\t\n

\n \t\t\n\t\t\t\t\t \n\t\t\t\t\t\tTHEAT 250: Lighting and Sound-Design and Production\t\t\t\t\t<\/span>\n <\/button>\n \n\t\t\t\t\t
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The design and production of lighting and sound in theater, dance, music, and general presentation work plays a significant role in the experience of these events. This course introduces the production problems of lighting and sound and includes design projects in both lighting and sound. Open to majors and non-majors. Offered annually in the fall semester. Also counts toward musical theater concentration.
\nPrerequisite:<\/strong>\u00a0THEAT\u00a0140<\/a>\u00a0is recommended.<\/p>\n <\/div>\n <\/div>\n <\/article>\n\n\t\t\t<\/div>\n\t\t<\/div>\n\n\t<\/div>\n\n\n\t\t\t\t\n\t\t\t<\/div>\n\t\n\t\t\t<\/div>\n\t\n\n\n\n

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Musical Theater Faculty<\/h2>\n\n\t\t\t<\/header>\n\t\t\n\t\n\t\n\t
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\n\t\t\tMarita Stryker\n\t\t\t