{"id":2924,"date":"2025-03-31T13:38:34","date_gmt":"2025-03-31T18:38:34","guid":{"rendered":"https:\/\/wp.stolaf.edu\/spanish\/?page_id=2924"},"modified":"2025-10-24T10:46:21","modified_gmt":"2025-10-24T15:46:21","slug":"spring-2026","status":"publish","type":"page","link":"https:\/\/wp.stolaf.edu\/spanish\/spring-2026\/","title":{"rendered":"Spring 2026"},"content":{"rendered":"<div data-modular-content-collection>\n<p class=\"has-medium-font-size\"><strong><span style=\"text-decoration: underline;\">Major courses for Spanish for the spring semester of 2026<\/span><\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Spanish 250: Family and Gender Roles in Spain: 1900 to Present<\/strong><br \/><strong>GE<\/strong>: FOL-S &amp; WRI (<strong>OLE CORE<\/strong>: WLC \/ WAC)<br \/>Taught by Le\u00f3n Narv\u00e1ez, T 9:35-11:00 \/ Th 9:30-10:50<br \/><strong>Prerequisite<\/strong>: Spanish 232 or Placement into Spanish 250\/251<br \/>\u00a0<br \/>Since 1975, Spain has undergone a &#8220;revoluci\u00f3n familiar&#8221; &#8211; dramatic changes in family<br \/>structures and, in some cases, gender roles, the rights of women and the acceptance of<br \/>minorities, and the relationships between generations. While some of these changes parallel<br \/>those that have occurred in other countries (including the U.S.), Spain is a remarkable example<br \/>of rapid change. In this class, we&#8217;ll explore the history of families and gender roles from the<br \/>early 1900s to the present day through the analysis of \u201ccultural texts\u201d \u2013 from statistical data to<br \/>articles to films to a historical novel that will help us imagine the lives of two teachers at a time<br \/>when new ways of interpreting the world and behaving challenged traditional values. You will<br \/>continue to develop your oral expression in Spanish through class discussions and other<br \/>activities, and through various modes of academic writing. The course includes participation in<br \/>three out-of-class conversation groups.<br \/><br \/><span style=\"text-decoration: underline;\">Key course materials:<\/span> Novel, <em>Historia de una maestra<\/em> (Josefina R. Aldecoa);<br \/>film and videos, packet of readings from a variety of sources and a packet of ACTIVIDADES<br \/><br \/><span style=\"text-decoration: underline;\">Spanish 250 or 251 is required for the Spanish major (only one of the two courses can count for<br \/>the major).<\/span>\u00a0<br \/><br \/><em>Note: Spanish 250 (equivalent to Spanish 251) is the first course in the Spanish major but is open to any student who has completed Spanish 232 or placed into the 250-level. 250-level courses cannot be repeated, and students cannot count both 250 and 251 for the Spanish major. Either Spanish 250 or 251 counts as the prerequisite for 270-level courses and above.<\/em>\u00a0<br \/><br \/><span style=\"text-decoration: underline;\">Spanish 250 or 251 is required for the Latin American Studies major.\u00a0<\/span><br \/><br \/><em>Counts Toward Majors:<\/em> Gender &amp; Sexuality Studies, Latin American Studies, Performance,<br \/>Political\u00a0 Science, and Women\u2019s and Gender Studies\u00a0<br \/><em>Counts Toward Concentrations:<\/em> Family Studies, Gender and Sexuality Studies, International<br \/>Relations,\u00a0 Management Studies, and Women\u2019s and Gender Studies\u00a0<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Spanish 251: Gender and Race in Latin America<\/strong><br \/><strong>GE<\/strong>: FOL-S &amp; WRI \/ <strong>OLE CORE<\/strong>: WLC &amp; WAC<br \/>Prof. Mariana Reyes-Pay\u00e1n MWF 12:55-1:50<br \/><strong>Prerequisite<\/strong>: Spanish 232 or placement into Spanish 250\/251<br \/><br \/>This course focuses on gender and race in Latin America and explores gender roles, femicide,<br \/>intersectionality, activism, and Latin America\u2019s deep-rooted history of activism and resistance to<br \/>oppression. To capture a wide range of experiences and voices, we work with short stories,<br \/>articles, podcasts, films, songs, and poems from across Latin America. We include objective<br \/>sources that focus on providing information, as well as subjective sources that narrate human<br \/>experiences \u2013 people\u2019s stories. In the process, we also work on developing our academic<br \/>language skills in Spanish, especially through writing with the use of textual evidence. Includes<br \/>participation in 3 out-of-class conversation groups.<br \/><span style=\"text-decoration: underline;\">Spanish 250 or 251 is required for the Spanish major (only one of the two courses can count for<br \/>the major).<\/span><br \/><br \/><em>Note: Spanish 250 or Spanish 251 is the first course in the Spanish major but is open to any<br \/>student who has completed Spanish 232 or placed into the 250-level. 250-level courses cannot be repeated, and students cannot count both 250 and 251 for the Spanish major. Either Spanish 250 or 251 counts as the prerequisite for 270-level courses and above.<\/em><br \/><br \/><span style=\"text-decoration: underline;\">Spanish 250 or 251 is required for the Latin American Studies major.<\/span><br \/><br \/><em>Counts Toward Majors:<\/em> Gender &amp; Sexuality Studies, Latin American Studies, Performance,<br \/>Political Science, and Women\u2019s and Gender Studies<br \/><em>Counts Towards Concentrations:<\/em> Gender and Sexuality Studies, International Relations \u00a0<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Spanish 273: Cultures of the Latinx\/a\/o U.S.\u00a0<\/strong><br \/><span style=\"text-decoration: underline;\">Topic:\u00a0Imagining Latinidad: Hemispheric Perspectives on Culture, Citizenship, and Creativity<\/span><br \/><strong>GE<\/strong>:\u00a0MCD \/\u00a0<strong>OLE CORE<\/strong>:\u00a0PAR<br \/>Instructor:\u00a0Prof. Am\u00e9rico Mendoza-Mori ,T 11:45-1:10 Th 12:45-2:05<br \/><strong>Prerequisite<\/strong>:\u00a0Spanish 250 or 251 (or permission of instructor)<br \/><br \/>Building on your previous courses in Spanish and Latin American cultural analysis, this class<br \/>invites you to explore how Latine communities imagine, contest, and reshape Latinidad, the<br \/>diverse sense of belonging that connects peoples of Latin American descent in the United States. We will examine how migration, language, race, and memory inform Latinx identities and how artists, writers, and activists represent these experiences through literature, visual arts, music, and digital media.<br \/>Guided by frameworks of decolonial thought and hemispheric history, students will analyze how the terms Hispanic, Latino\/a\/e\/x, and Latinidad have emerged, evolved, and been challenged in<br \/>public discourse. As part of this exploration, we will consider Latinidad as not only a U.S.-based<br \/>category but also a hemispheric phenomenon shaped by dialogues, migrations, and cultural<br \/>exchanges across the Americas, including Indigenous and Afro-diasporic communities whose<br \/>histories and contributions are central to these processes. We will engage with works by<br \/>different authors, along with media and community initiatives that reflect the vitality of<br \/>Latinidad today.<br \/><br \/>Intended Learning Outcomes:<br \/>1. Recognize the historical and cultural processes that shape Latinx identities in the United<br \/>States.<br \/>2. Develop critical vocabulary to analyze issues of race, ethnicity, language, and migration from a Latinx and decolonial perspective.<br \/>3. Examine how cultural production in literary, visual, musical, and digital forms constructs and challenges ideas of belonging and citizenship.<br \/><br \/><em>Counts Toward Majors:<\/em> Latin American Studies, Performance, Political Science, Spanish,<br \/>Race and Ethnic Studies<br \/><em>Counts Towards Concentrations:<\/em> International Relations, Latin American Studies, Race and<br \/>Ethnic Studies \u00a0<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Spanish 275: Exploring Hispanic Literature<\/strong><br \/><span style=\"text-decoration: underline;\">Topic:\u00a0\u00a0Intertextualidades Masculinas en la Literatura Latinoamericana con un enfoque caribe\u00f1o<\/span><br \/><span style=\"text-decoration: underline;\">GE<\/span>: ALS-L \/ <strong>OLE CORE<\/strong>: CRE<br \/>Prof. Kristina Medina-Vilari\u00f1o, T 9:30 \u2013 11:00, Th 9:30 \u2013 10:50<br \/><strong>Prerequisite<\/strong>: Spanish 250 or Spanish 251<br \/><br \/><a href=\"https:\/\/www.cbsnews.com\/news\/bad-bunny-transgender-woman-alexa-negron-luciano-shirt-tonight-show-starring-jimmy-fallon\/\">El cantante puertorrique\u00f1o de trap, Bad Bunny, se present\u00f3 en febrero del 2020 en el Tonight<br \/>Show vestido con falda. La imagen impresa en su camisa llevaba un reclamo de que \u201cmataron a<br \/>Alexa [,] no a un hombre con falda.\u201d<\/a> Alexa fue una mujer transg\u00e9nero asesinada en un violento<br \/>crimen de odio en Puerto Rico que a\u00fan queda sin resolver. Este violento incidente se convirti\u00f3<br \/>en un punto de referencia crucial en la sociedad moderna puertorrique\u00f1a, y criticaba las<br \/>representaciones del g\u00e9nero o la sexualidad de Alexa publicadas en los medios masivos de<br \/>comunicaci\u00f3n en PR. Las masas de fans aplaud\u00edan el acto de Bad Bunny, en persona y online,<br \/>incluyendo algunos escritores y artistas activistas LGBTQ+. Sin embargo, en mayo del 2021, un<br \/>sector del senado en el Capitolio de Puerto Rico, defend\u00eda la legalidad de las terapias de<br \/>conversi\u00f3n. Estas \u00faltimas han sido reconocidas como \u201ctortura\u201d por muchos sectores sociales que defienden los derechos humanos, y ven las terapias de conversi\u00f3n sexual como una\u00a0 pr\u00e1ctica violenta de homofobia y transfobia.\u00a0<br \/>Este contraste refleja el choque de distintas ideolog\u00edas que operan entre las comunidades<br \/>caribe\u00f1as m\u00e1s all\u00e1 de Puerto Rico y alcanzan a sus di\u00e1sporas. Mientras que el contrato social de<br \/>gran parte de lo\/a\/e s j\u00f3venes caribe\u00f1os en el 2024 pareciera ser la aceptaci\u00f3n de una mayor<br \/>libertad sexual y el rechazo de cualquier binario de g\u00e9nero, la realidad diaria nos recuerda que<br \/>las expectativas culturales no han cambiado del todo.\u00a0<br \/>Este curso explora el concepto de la masculinidad en el caribe latinoamericano a trav\u00e9s de la<br \/>literatura, el cine y la cultura popular. Analizaremos textos literarios, incluyendo poes\u00eda, novela,<br \/>cr\u00f3nica y ensayo. Los estudiantes explorar\u00e1n la relaci\u00f3n entre intertexto, cultura, raza, pol\u00edtica y<br \/>masculinidad dentro de movimientos sociales y pol\u00edticos, con un \u00e9nfasis en el discurso literario<br \/>anticolonialista.\u00a0 Algunas secciones de los textos incluidos en esta clase contienen un lenguaje<br \/>sexual gr\u00e1fico.<br \/>Al final del semestre los estudiantes crear\u00e1n un proyecto digital comparativo, enfocado en el<br \/>tema del curso y sus respectivas profesiones.<br \/><br \/><em>Counts Toward Majors:<\/em> Latin American Studies, Performance, Political Science, Spanish<br \/><em>Counts Towards Concentrations:<\/em> International Relations \u00a0<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Spanish 276: Spanish as a First and Second Language\u00a0\u00a0 <\/strong>\u00a0 \u00a0<br \/>Prof. Kris Cropsey MWF 12:55-1:50 \u00a0 \u00a0\u00a0<br \/><strong>Prerequisite<\/strong>: Spanish 250 or 251<br \/><br \/>\u00bfDe qu\u00e9 se trata Espa\u00f1ol 276?\u00a0En este curso estudiaremos diferentes aspectos relacionados al uso y adquisici\u00f3n de la lengua espa\u00f1ola en contextos transnacionales y transculturales. En\u00a0particular, usaremos una aproximaci\u00f3n cr\u00edtica para\u00a0estudiar el espa\u00f1ol de los Estados Unidos, en Hispanoam\u00e9rica y en Espa\u00f1a. Durante el curso haremos particular hincapi\u00e9 en los procesos de adquisici\u00f3n del espa\u00f1ol como\u00a0primera y segunda lengua en cuanto ata\u00f1e a los hablantes del<br \/>ingl\u00e9s como primera lengua\u00a0y a los hablantes de herencia del espa\u00f1ol en los Estados Unidos.<br \/><br \/><span style=\"text-decoration: underline;\">Tentative reading list<\/span>:<br \/>Packet of journal articles and book chapters (available through the Bookstore)<br \/>Mi mundo adorado\u00a0by Supreme Court Justice Sonia Sotomayor (available through<br \/>the\u00a0Bookstore)<br \/>Materiales para SPAN 276 (course handouts available through the Bookstore)<br \/><br \/><span style=\"text-decoration: underline;\">This course is required for the Spanish major.<\/span>\u00a0<strong><span style=\"text-decoration: underline;\">Spanish 276 cannot be repeated.<\/span><\/strong><br \/><br \/><em>Counts Toward Majors:<\/em> Latin American Studies, Race and Ethnic\u00a0Studies, Spanish<br \/><em>Counts Toward Concentrations: <\/em>Applied Linguistic Studies, Latin American Studies, Race and<br \/>Ethnic Studies, and International Relations<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Spanish 314: Borders, Bodies, and Belonging: Resistance and Care in Latino\/x\/am\u00e9rica(s)<\/strong><br \/>Prof. Mariana Reyes Pay\u00e1n. MWF 10:45 \u2013 11:40<br \/><strong>GE<\/strong>: ALS-L \/ <strong>OLE CORE<\/strong>: WRITING IN THE MAJOR\u00a0<br \/><strong>Prerequisite<\/strong>: Spanish 275\u00a0<br \/><br \/>Focusing on the relationship between the body and various contested geographies and forces, we examine how key contemporary global issues, particularly those connected to human rights, are depicted and also contested in Latin American (particularly Mexican) and U.S. Latinx cultural, artistic, and literary productions. The course centers on the body as the primary site where violence(s) and the struggle for humanity and belonging are enacted under continuous pressure. We will ask: what it means to be\/have\/experience a normative body, as well as a non-conforming body in Mexico and other Latin American countries, as well as in the in Latinx U.S. diaspora? To reflect on this question, we will engage with literary forms of resistance that challenge institutional control over citizenship, gender, race, and sexuality, as well as imagine alternative futures.\u00a0<br \/>The course will also function as a study space of the processes through which bodies are<br \/>recorded, registered, and\/or narrated to make sense of them. This, whether by the state (through documentation and policing) or by themselves (through literature, testimonies or artivism). The question of the body as a living archive allows us to ponder about its need to be protected and taken care of. By thinking about these transnational non-conforming subjectivities, we are called to consider how kinship, communities, and languages function as vital tools of resistance at both the global and local levels.<br \/><br \/><span style=\"text-decoration: underline;\">Pre-selected texts include<\/span>: <em>El invencible verano de Liliana<\/em> (2021) by Cristina Rivera Garza,<br \/><em>Sal\u00f3n de Belleza<\/em> (1994), by Mario Bellat\u00edn, <em>Brujas<\/em> (2011), by Brenda Lozano, <em>When Language<br \/>Broke Open<\/em> (2023), edited by Alan Pelaez Lopez, as well as theoretical selections from texts by<br \/>Robin Wall Kimmerer, Rita Segato, Anna Tsing, Gloria Anzald\u00faa, Sayak Valencia, and Cherr\u00ede<br \/>Moraga, among others. This is a writing-intensive course. Taught in Spanish. Includes a digital<br \/>community-engaged project component.<br \/><br \/><em>Counts Toward Major<\/em>: Performance\u00a0<br \/><em>Counts Toward Concentration<\/em>: International Relations<br \/><span style=\"text-decoration: underline;\">Counts as a 300-level course required for the Spanish major<\/span>. Spanish 314 may be<br \/>repeated with a\u00a0different topic.\u00a0<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Spanish 315: &#8220;Migration and the Forging of Identity&#8221;<\/strong><br \/>Prof. Jonathan O\u2019Conner T 11:45 &#8211; 1:10, TH 12:45 \u2013 2:05<br \/><strong>Prerequisite<\/strong>: SPAN 250 or SPAN 251 and at least one 270-level course.<br \/><br \/>The UN estimates that as of mid-2024, there were 304 million international migrants in the<br \/>world. Millions more have grown up as children of those who migrated. The Spanish-speaking<br \/>world is no exception to this reality. This seminar explores stories of individuals whose lives and<br \/>identities have all been marked by migration, whether their own or their parents&#8217;. We will<br \/>analyze how movement across national, social, and cultural borders transforms identity and<br \/>challenges monolithic notions of belonging. The course examines narratives in two spheres: 1) Africa and Spain and 2) Central America and the United States. Luc\u00eda Asu\u00e9 Mbom\u00edo Rubio&#8217;s novel, <em>Hija del camino<\/em> (2019), tells a story of African diaspora and return. These same themes are echoed in Santiago Zannou&#8217;s film, <em>La puerta de no retorno<\/em> (2011). Maya (Q\u2019janjob\u2019al) author Gaspar Pedro Gonz\u00e1lez&#8217;s novel Un maya migrante: <em>Un viaje sin retorno<\/em> (2021) tells the story of a Guatemalan migrant who leaves for the United States. Fernando Fr\u00edas&#8217;s 2019 film <em>I&#8217;m No Longer Here<\/em> follows the experiences of the young Ulises who is forced to leave his Mexican community behind and flee to New York City. We will use these diverse sources to examine how contemporary narratives describe the complex relationships between migration and cultural hybridity in a post-colonial world. We will focus on how people seek to forge individual identities in an increasingly multicultural world.<br \/><br \/><em>Counts Toward Majors<\/em>: Performance, Political Science, Spanish<br \/><em>Counts Toward Concentration<\/em>: International Relations<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Major courses for Spanish for the spring semester of 2026 Spanish 250: Family and Gender Roles in Spain: 1900 to PresentGE: FOL-S &amp; WRI (OLE CORE: WLC \/ WAC)Taught by [&hellip;]<\/p>\n","protected":false},"author":10430,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-2924","page","type-page","status-publish","hentry"],"acf":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/wp.stolaf.edu\/spanish\/wp-json\/wp\/v2\/pages\/2924","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wp.stolaf.edu\/spanish\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wp.stolaf.edu\/spanish\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wp.stolaf.edu\/spanish\/wp-json\/wp\/v2\/users\/10430"}],"replies":[{"embeddable":true,"href":"https:\/\/wp.stolaf.edu\/spanish\/wp-json\/wp\/v2\/comments?post=2924"}],"version-history":[{"count":5,"href":"https:\/\/wp.stolaf.edu\/spanish\/wp-json\/wp\/v2\/pages\/2924\/revisions"}],"predecessor-version":[{"id":3005,"href":"https:\/\/wp.stolaf.edu\/spanish\/wp-json\/wp\/v2\/pages\/2924\/revisions\/3005"}],"wp:attachment":[{"href":"https:\/\/wp.stolaf.edu\/spanish\/wp-json\/wp\/v2\/media?parent=2924"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}