The Senior Research Fellows are appointed annually by Curator Professor Gordon Marino to scholars who are associated with the Hong Kierkegaard Library and who show great enthusiasm for the study of the Danish philosopher.
Jamie Aroosi (University of Toronto, B.A.; York University, M.A.; The Graduate Center, CUNY, M.Phil., PhD.) is a political theorist with an interest in philosophical anthropology and moral psychology who explores foundational questions about the nature of the self and how it develops into a moral and political agent. He has published widely in this area, including his forthcoming book, The Dialectical Self: Kierkegaard, Marx, and the Making of the Modern Subject (University of Pennsylvania Press, 2018), which is the first comprehensive analysis and synthesis of Hegel’s two most important disciples and critics. The Dialectical Self offers a comprehensive account of the self that allows us to more fully think through the complex relationship between our ethical, spiritual, social, and political lives as we each struggle to appropriate the freedom that is our birthright.
Currently, Jamie is working on a new book project provisionally entitled In Defense of Ad Hominem: A History of Western Irrationality. Traversing the history of Western thought, In Defense of Ad Hominem confronts the increasingly apparent irrationality of global politics, from the rise of populist regimes to the growth in sexist, racist, and nativist discourse, and questions our collective faith in rational argument and its ability to sway minds. In Defense of Ad Hominem reveals that conventional accounts of democratic politics that view it as a purely discursive realm do not serve to reveal the true nature of political life but instead serve to occlude it.
A 1981 St. Olaf graduate, Jamie Lorentzen studied under Howard Hong, who helped him establish a life-long attachment to literature, Kierkegaard, and the Hong Kierkegaard Library. Jamie is the author of Kierkegaard’s Metaphors (2001), Sober Cannibals, Drunken Christians: Kierkegaard, Melville, and Tragic Optimism in Polarized Worlds (2010), and Becoming Human: Kierkegaardian Reflections on Ethical Models in Literature (2015). He also edited Toward the Final Crossroads: A Festschrift for Howard and Edna Hong (2009), co-edited Taking Kierkegaard Personally: First Person Responses (2020), published comparative essays on Kierkegaard and Bob Dylan, chaired the Friends of the Hong Kierkegaard Library (1998-2018), and delivered scores of Kierkegaard-related lectures at United Lutheran Church in Red Wing, Minnesota since 2002. After a 30-year career teaching public high school English, he retired in 2018.
Jamie currently is working on two Kierkegaard-related book projects: Reading Søren Kierkegaard: On Being, On Reading, and What One Has to Do with the Other and The Retirement Notebooks: Making Friends with Time, the Space of Love, and Other Grave Matters. The former is part-Kierkegaard primer, part-commentary on reading in general and reading Kierkegaard in particular, and part-cautionary tale of Jamie recalling his own ways of misreading Kierkegaard and, occasionally, reading Kierkegaard passing fair. The latter is both a personal and Kierkegaard-inspired examination of time, love, and what Socrates would call “the practice of dying.”
Thomas J. Millay is a recent graduate of Baylor University’s Ph.D. program in Theology and Ethics and the author of You Must Change Your Life: Søren Kierkegaard and the End of Reading (forthcoming from Cascade Press in 2020). He has published widely on Kierkegaard, in journals such as Modern Theology, the International Journal of Systematic Theology, and the Heythrop Journal, as well as contributing to several edited volumes. In addition to Kierkegaard, Millay has an interest in contemporary literature and serves as a contributing editor in the Fiction Department at the Los Angeles Review of Books, where he has reviewed novelists such as John Banville, Patrick Modiano, and Teju Cole. His current research project—provisionally entitled Martyr to Modernity: The Asceticism of Søren Kierkegaard—seeks to show how Christian asceticism can resist and even confront the deadly lure of Christian nationalism.
Timothy Stock (DePaul University, BA; University of Toronto, PhD) is Associate Professor and Chair of the Philosophy Department at Salisbury University in Maryland. His research interests extend through phenomenology, philosophy of literature, philosophy of religion and performance studies, with a particular emphasis on the theory of comedy and humor studies. He has published articles (in the Beiträge zur nordischen Philologie, Kierkegaard Research, Kierkegaard Studies Yearbook and in Blackwell’s Companion to Kierkegaard) on Kierkegaard’s theatrical aesthetic and its relationship to religion, metaphysics, and his unique form of literary humor.
Timothy is currently collecting his research into a manuscript on Kierkegaard’s theory of comedy, entitled Laughter’s Martyr: Kierkegaard and the Failures of the Comic. The project is an argument for the centrality of comedy for Kierkegaard’s work, and an attempt to articulate the comic thread that leads throughout his authorship: his recognition of parody as a paradoxical (and humorous) form of failure proper to philosophy, his fraught role as a public wag, his writings on stage comedy, as well as his use of humor as a form of existential engagement with the possible forms of religious life. The project proposes Kierkegaard’s dramaturgical thinking to be a mode of philosophy itself: as a satirical embodiment of—or a “weak” martyrdom to—the human world and the present age.